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June 20, 2005
The intrepid Nancy Drew has given girls a sense of their own power since she was born, Athena-like, from the mind of Edward Stratemeyer in 1929 and raised after his death in 1930 by his daughter Harriet Stratemeyer Adams and Mildred Wirt Benson, a journalist who was the first to write the novels under the pen name Carolyn Keene. Poet and critic Rehak invigorates all the players in the Drew story, and it's truly fun to see behind the scenes of the girl sleuth's creation, her transformation as different writers took on the series, and the publishing phenomenon—the highly productive Stratemeyer Syndicate machine—that made her possible. Rehak's most ambitious choice is to reflect on how Nancy Drew mirrors girls' lives and the ups and downs of the women's movement. This approach is compelling, but not particularly well executed. Rehak's breathless prose doesn't do justice to the complexity of the large social trends she describes, and tangents into Feminism 101 derail the story that really works—the life of a publishing juggernaut. All the same, Stratemeyer himself would undoubtedly say that the story is worth telling. Drew fans are likely to agree. 8 pages of b&w photos not seen by PW
. Agent, the Wylie Agency.
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