Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

What Is Not Yours Is Not Yours

Audiobook
1 of 1 copy available
1 of 1 copy available
From the award-winning author of Boy, Snow, Bird and Mr. Fox comes an enchanting collection of intertwined stories. Playful, ambitious, and exquisitely imagined, What Is Not Yours Is Not Yours is cleverly built around the idea of keys, literal and metaphorical. The key to a house, the key to a heart, the key to a secret-Oyeyemi's keys not only unlock elements of her characters' lives, they promise further labyrinths on the other side. In "Books and Roses" one special key opens a library, a garden, and clues to at least two lovers' fates. In "Is Your Blood as Red as This?" an unlikely key opens the heart of a student at a puppeteering school. "'Sorry' Doesn't Sweeten Her Tea" involves a "house of locks," where doors can be closed only with a key-with surprising, unobservable developments. And in "If a Book Is Locked There's Probably a Good Reason for That Don't You Think," a key keeps a mystical diary locked (for good reason). Oyeyemi's creative vision and storytelling are effervescent, wise, and insightful, and her tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation? What Is Not Yours Is Not Yours captivates as it explores the many possible answers.
  • Creators

  • Publisher

  • Release date

  • Formats

  • Languages

  • Levels

  • Reviews

    • Publisher's Weekly

      January 11, 2016
      In her first story collection, Oyeyemi (Boy, Snow, Bird) conjures present-day Europe, made enticingly strange by undercurrents of magic, and populated by ghosts, sentient puppets, and possible witches alongside middle-aged psychiatrists, tyrants, and feminist undergrads. Loosely linked by a theme of keys and doors, many of the stories feature female protagonists discovering their sexuality or coming into their own. In “ ‘Sorry’ Doesn’t Sweeten Her Tea,” 14-year-old Aisha and Tyche, her father’s colleague, send the goddess Hecate to torment teen idol Matyas Füst for beating a prostitute; in “A Brief History of the Homely Wench Society,” Aisha’s sister, Dayang, is a member of a women’s society at Cambridge University, waging a good-natured war against the Bettencourt Society, a rival all-male club. “Drownings” is an allegorical tale set in a dictatorship where citizens are “drowned in the gray marshlands deep in the heart of the country.” “Dornicka and the St. Martin’s Day Goose” is a retelling of Little Red Riding Hood, draw on Eastern European history and lore. And in “Presence,” a married couple in London undergo a pharmaceutical trial causing them to hallucinate a son they never had, a “makeless” boy. Readers will be drawn to Oyeyemi’s contagious enthusiasm for her characters and deep sympathy for their unrequited or thwarted loves. Agent: Jin Auh, Wylie Agency.

    • AudioFile Magazine
      Ann Marie Gideon, Pieter Marek, and Bahni Turpin effortlessly adopt the voices of the narrators in each of these stories, despite their widely diverse plots and characters. Gideon lends the air of a fairy tale to "Books and Roses," which chronicles the adventures of a pair of estranged Spanish lovers. She also expertly captures the urgency of adolescent love in "Is Your Blood as Red as This?", in which a young girl vies for the heart of a talented puppeteer. Similarly, a stepfather's insecurities and an arsonist's delusions come across equally well in Marek's narrations of "Sorry Doesn't Sweeten Her Tea" and "Freddy Barendoff Checks In?" The adaptability of all three narrators enhances the effect of the stories' shared plot elements. M.F.R. © AudioFile 2016, Portland, Maine

Formats

  • OverDrive Listen audiobook

Languages

  • English

Levels

  • Lexile® Measure:1040
  • Text Difficulty:6-8

Loading