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January 18, 2010
Volponi (Homestretch
) recasts his adult novel, Rikers
(Black Heron, 2002), for a teen audience that will likely be riveted. Seventeen-year-old Martin Stokes has been imprisoned for five months, awaiting trial for a petty crime. Returning from court, he cannot get out of the way when another inmate attacks the boy to whom he is shackled. Martin's face is slashed with a razor; the ensuing scar is a metaphor for the mark prison will leave on the boy, who is no angel (he tells his harried legal aid lawyer she is a “miserable shit”), but whose punishment bears absolutely no relationship to his crime. His break comes when a jailhouse teacher helps him see the importance of finishing school, setting Martin on a path to make the right choice when he's yet again thrust into a violent altercation not of his own making. Volponi, who taught on Rikers Island for six years, writes with an authenticity that will make readers feel Martin's fear. Ages 12–up.
January 1, 2010
Gr 8 Up-Martin Stokes is awaiting trial at Rikers Island, a New York City correctional facility. His alleged crime is steering: telling an undercover police officer where to buy marijuana in his neighborhood. Riding back to Rikers on a bus after his court date is rescheduled, Martin gets caught between two boys fighting and is cut in the face with a blade. He is assigned to a new unit, and the cut is both the first thing the boys in Sprung #3 notice about him and a metaphor for the indelible mark that prison will leave. In the new unit, Martin attends school for the first time on the Island. The plot is episodic, reflecting both the repetitiveness of daily existence in jail and its instability: one day the house is enjoying the fruits of its commissary visit; the next, the boys are being strip-searched after an apathetic teacher loses his metal chalk holder. Volponi, himself a teacher on Rikers Island for six years, brings to life a believable range of teachers, COs, and inmates and portrays power, hierarchies, and race relations both outside and inside the jail walls with unflinching realism. Martin's narrative voice is frank, conversational, and sometimes angry, and his language, including cursing, is perfectly suited to his character. Physical violence, masturbation, and suicide are all addressed honestly, and teen boys will relate."Megan Honig, New York Public Library"
Copyright 2010 School Library Journal, LLC Used with permission.
December 1, 2009
Grades 8-11 Recasting his specialty-press debut novel, Rikers (2002), for a younger audience, Volponi tracks a juvenile offenders final 17 days in the New York correctional facility. Though arrested just for telling an undercover cop where to buy weed, Martin has spent five months at Rikers waiting for his case to come up. The experience has made him a canny observer of the prison ecosystem, good at keeping his head down and steering clear of gangs, extortion schemes, brutal correction officers, and other hazards . . . mostly. The author draws authentic situations and characters from his six years of teaching at Rikers, and though his scary cautionary tale is less harrowing than Adam Rapps Buffalo Tree (1997) or Walter Dean Myers Monster (1999), it is nevertheless an absorbing portrait of life in stir. In the end, Martin walks out on plea-bargained probation, bearing both inner and outer scars. Rare is the reader who wont find his narrative sobering.(Reprinted with permission of Booklist, copyright 2009, American Library Association.)
July 1, 2010
His court date delayed again, Martin returns to Rikers Island to wait out his time among other juvenile inmates. There he gets caught in a melee that leaves his face scarred. Required to attend school, Martin meets a teacher who helps turn his life around and quells his desire for revenge. Martin's compelling voice drives this story to its predictable yet satisfying conclusion.
(Copyright 2010 by The Horn Book, Incorporated, Boston. All rights reserved.)
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