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The Scarlett Letters

The Making of the Film Gone With the Wind

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1 of 1 copy available
1 of 1 copy available
One month after her novel Gone With the Wind was published, Margaret Mitchell sold the movie rights for fifty thousand dollars. Fearful of what the studio might do to her story—"I wouldn't put it beyond Hollywood to have . . . Scarlett seduce General Sherman," she joked—the author washed her hands of involvement with the film. However, driven by a maternal interest in her literary firstborn and compelled by her Southern manners to answer every fan letter she received, Mitchell was unable to stay aloof for long.
In this collection of her letters about the 1939 motion picture classic, readers have a front-row seat as the author watches the Dream Factory at work, learning the ins and outs of filmmaking and discovering the peculiarities of a movie-crazed public. Her ability to weave a story, so evident in Gone With the Wind,makes for delightful reading in her correspondence with a who's who of Hollywood, from producer David O. Selznick, director George Cukor, and screenwriter Sidney Howard, to cast members Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland and Hattie McDaniel.
Mitchell also wrote to thousands of others—aspiring actresses eager to play Scarlett O'Hara; fellow Southerners hopeful of seeing their homes or their grandmother's dress used in the film; rabid movie fans determined that their favorite star be cast; and creators of songs, dolls and Scarlett panties who were convinced the author was their ticket to fame and fortune. During the film's production, she corrected erring journalists and the producer's over-the-top publicist who fed the gossip mills, accuracy be damned. Once the movie finished, she struggled to deal with friends and strangers alike who "fought and trampled little children and connived and broke the ties of lifelong friendship" to get tickets to the premiere.
But through it all, she retained her sense of humor. Recounting an acquaintance's denial of the rumor that the author herself was going to play Scarlett, Mitchell noted he "ungallantly stated that I was something like fifty years too old for the part." After receiving numerous letters and phone calls from the studio about Belle Watling's accent, the author related her father was "convulsed at the idea of someone telephoning from New York to discover how the madam of a Confederate bordello talked." And in a chatty letter to Gable after the premiere, Mitchell coyly admitted being "feminine enough to be quite charmed" by his statement to the press that she was "fascinating," but added: "Even my best friends look at me in a speculative way—probably wondering what they overlooked that your sharp eyes saw!"
As Gone With the Wind marks its seventy-fifth anniversary on the silver screen, these letters, edited by Mitchell historian John Wiley, Jr., offer a fresh look at the most popular motion picture of all time through the eyes of the woman who gave birth to Scarlett.
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    • Library Journal

      September 15, 2014

      Seventy-eight years after the book was written and 75 years after the film premiered, Gone with the Wind retains its prominence in American popular culture. First-time novelist Margaret Mitchell was surprised by her incredible success and yet determined not to be involved with the production of the film adaptation of her book. Drawn into the web almost against her will, Mitchell soon learned more than she wanted to about the filmmaking process and the loss of privacy that comes with such a landmark success. Wiley (Margaret Mitchell's Gone with the Wind) offers a behind-the-scenes look at the makings of a Hollywood legend from its inception in this title that takes the reader on the journey with Mitchell via the letters she wrote during the years 1936-49 and includes correspondence with both those who were famous and those who are unknown. VERDICT While narrow in its focus, this book will appeal to both film historians and scholars of Southern literature, readers who adore Mitchell's novel and David O. Selznick's film, and anyone looking for a peek inside the mind of a creative, private, and charming writer.--Teri Shiel, Univ. of Connecticut Health Ctr. Lib., Farmington

      Copyright 2014 Library Journal, LLC Used with permission.

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